'How
I messed up my suburban middle-class life' doesn't hold a candle
to the memoirs of a onetime child soldier.
April
02, 2007
IT'S
THE ASPIRING young middle-class writer's worst-case scenario. You
get to college armed with pages of prose that capture the soul-sucking
torpor of your suburban adolescence, only to find yourself in a
writing class with a former child soldier who spent years fighting
the Revolutionary United Front after his Sierra Leone village was
torched and his entire family killed. And the guy can actually
write!
As
you sit there, wiping your eyes while the class discusses the astonishing
detail with which he's described AK-47 rifles and blood-soaked
babies, you have a sudden urge to run — not because the imagery
is so intense but because your story is up for discussion next
and it's about getting drunk at the senior prom and losing your
purse.
I'm
not saying this went on at Oberlin College where Ishmael Beah,
now in his mid 20s, began to write about the experiences that would
eventually make up the bestselling and much-ballyhooed "A
Long Way Gone: Memoirs of a Boy Soldier." But I've been in
enough writing workshops, as a teacher and a student, to know what
it feels like to have your literary thunder stolen by someone who
actually has something to say. It seems like an especially unfair
advantage at a small, private liberal arts college where, except
for the lucky few who lost their virginity to their shrinks or
who had Russian spies for parents, so many would-be writers are
going to be pretty much stuck writing about summer camp.
But
we live in a world full of not just summer camps but refugee camps
and genocides and unimaginably violent civil wars. And now that
Beah has turned out a coming-of-age memoir that makes even the
most gothic childhood sob stories look like "The House at
Pooh Corner," he may have closed the book on an entire literary
genre.
I
mean, what twentysomething self-respecting memoirist (if that's
not an oxymoron) would want to get in the ring with a guy who not
only survived the front lines in Sierra Leone but made it all the
way to Oberlin — and majored not in English but political
science? Even more vexing, Beah is attractive, well-spoken and
does not appear to be adapting his book into a screenplay; he is
serving on the Human Rights Watch Children's Rights Division Advisory
Committee, which only makes many of his fellow memoirists look
extra ridiculous.
Attention
solipsistic young scribes: all the bad boyfriends, clueless parents
and junior years abroad are no match for the child soldier. Better
go back to whatever you were doing before you started writing about
yourself. Just don't go to Starbucks, because Beah's book is being
sold there, and you'll just feel worse.
I
KNOW, I KNOW. There's room in the marketplace for all kinds of
books and, as I have told students many times, you can write about
something as banal as teeth flossing as long as you a) write it
well and b) infuse the subject with some kind of universal relevance
(flossing as a rite-of-passage metaphor, for instance).
But
here's the catch. If you're going to write something compelling
and salable about an inherently dull subject (for example, most
people's lives up until about age 45), you'd better be not only
gifted but possessed of some pretty serious literary craft. However,
most almost-too-young-for-memories memoirists, gifted or not, just
don't have the chops to turn their summer camp reminiscences into "This
Boy's Life" for the new millennium.
That's
why, over the last several years, probably the most successful
category for memoirists of any age could be called "I Crossed
Over to the Dark Side" lit.
Among
the younger set, the typical Dark Side trajectory goes like this:
author has unresolved childhood issues (distant father, overbearing
SAT-prep instructor), author makes a bad decision (enters bad marriage,
tries heroin, drops out of Brown to become a prostitute) and then
seeks salvation through a creative-writing workshop that results
in a juicy, maybe even Oprah-worthy memoir.
But
now that Beah has raised the bar to oxygen-depriving heights, I
suspect we won't be seeing as many of these titles. After all,
the literary world is just a higher-stakes version of a college
writing workshop.
You
can be the most talented student in class, but if you're unlucky
enough to have grown up in a stable home, you need to work that much
harder to find a story worth telling.
In
other words, you need to write fiction. And if there's anything
that can mess up a life more than trying heroin, it's trying to
write a novel.